刷新了一个认知: 1931年美国大使和剑桥哲学博士不如男爵 影片以几句话同时作为开场和结尾营造一种兜兜转转又回到原点的感觉表面上也确实是又回到了原点哲学博士还是哲学博士蜘蛛侠3 电影演员还是蜘蛛侠3 电影演员男爵还是男爵除了一对犹太夫妻喜结连理之外影片的其他主要人物确实似乎是回到了原点但其实德国社会已经产生了天翻地覆的变化主角们的内心也产生了天翻地覆的变化 男爵什么都没失去男主呢似乎也什么都没失去so why not
微微阑珊:182.83.186.5
美国主旋律能把这么一件事情拍得还算吸引人也算不错了
兔子鱼:139.209.159.145
“It’s the only time recently that I can remember been proud of my work.”到这里就懂了全都懂了我还蛮喜欢结局那点冷幽默的味道的很多时候那些已逝之人继续“存活”都不过是“被迫”蜘蛛侠3 电影是我们想让他们活着另外我好羡慕她有凯瑟琳·赫本的亲笔信啊
去你妹的:182.92.64.29
A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.