如同在图书馆翻开一本半世纪前的本地杂志一页页读着各个板块的故事琐碎、有趣、幽默视觉上的平面化、漫画感大部分黑白偶尔色彩年轻的母亲伦理剧也是为了模拟阅读静态媒体的体验对于2000年后出生的人也许已经完全感受不了对于老年人复古得太喜欢以前写故事的人是为了记录时代、说故事而不是博点击赚流量推agenda就如最后一则作者自动删掉了最cheesy的identity narratives…如今信息时代死去的不只是纸媒、本地媒作者和读者在陈词滥调的春秋笔法中失去了创造和鉴赏文字原本具有的暧昧、留白与韵味以及那种会心一笑的能力If the message is not literal, it won’t be heard or understood…
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Old idols are overturned, and new ones are build high. The river of history ruthlessly washes up individual destinies, yet always leaving human nuggets shining behind. The hopelessness mocks any so-called mightiness, the human forgiveness carries on life.
反差在于明明拍得这么冷静而又精简却还是靠音乐和人物大大的戳中我的哭点--真是猝不及防(Kenneth Branagh一直在让我擦眼泪年轻的母亲伦理剧尤其是“Stay for French”那里)中段的海陆空三条线很精彩...倒是后面有点弱了但电影能排除满天buzz让人找到感动而又出彩的地方:这对我来说就是一部好电影了
i love the ending. Since then, they never see each other again. but she believes that he is still alive, since it snows every winter. its still a weird and boring small town, but its a warm and beautiful story. i should say that its limited by tech and time.