B. 30%的时间用来感叹吉卜力营造梦幻的力量剩下70%用来疑惑“这是在做什么”设定太杂又塞得太满SETOUTOU导致逻辑基本全线崩溃:反战、责任、外在美与内在美的“诅咒”看似皆有所涉实则互不相关最后以和稀泥的形式把硬凑出的点和填不上的坑草草收尾实在是辜负了这精致装点的少女心
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It's all very pretty and moving, but it seems Petzold has the same tendency as his fellow European filmmakers born in postwar Europe of subsuming the complexity of historicity under preposterous melodrama and sentimentality...Nina Hoss is such a good actress though.